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فوریه 22, 2008

Definitely, Maybe | حتماً ، شاید – به یقین، شاید | 2008

Filed under: پر فروشترین ها [Box Office Top] — iranbuy @ 7:39 ق.ظ.

Definitely, Maybe (2008

Director: Adam Brooks
Cast: Ryan Reynolds, Derek Luke, Abigail Breslin, Isla Fisher, Elizabeth Banks
Rating: PG-13 (Profanity/Smoking

Movie Details

Title: Definitely, Maybe
Running Time: 105 Minutes
Status: Released
Country: United States
Genre: Romantic Comedy

How I Met Your Mother: A History Lesson in Love

“Definitely, Maybe,” a nimble and winning little romance written and directed by Adam Brooks, begins with one of those awkward Important Talks that parents are sometimes required to have with their children. In this case Maya Hayes (Abigail Breslin) needs some debriefing after a sex education class at her Manhattan elementary school. She’s acquired some technical vocabulary but not a lot of context, and so it falls to her dad, Will (Ryan Reynolds), to do the necessary explaining.

This is a delicate task since in the grown-up world of love, theory and practice frequently part company, which is what Will and Maya’s mother have recently done. Like any parent Will wants to tell his daughter the truth without subjecting her to unnecessary disillusionment or cynicism. And Mr. Brooks faces a similar challenge, one that lesser romantic comedies tend to flee.

How do you preserve the fairy-tale elements of the genre — the beguiling fantasy of permanent bliss — in the face of certain prosaic and unavoidable facts? In the real world, after all, people divorce, sleep around, fall in love too soon, too late or too often.

It’s a mess, and a movie like this one has to acknowledge the mess without falling into it, in which case it would be a sad little melodrama rather than a sparkling comic enchantment. In spite of everything, viewers, like Maya, have to walk away with our faith in soul mates and happy endings confirmed, rather than compromised or shattered.

So Will decides to tell Maya a slightly edited, PG-13 version of the story of his life and loves before she was born. At first the ending seems predictable enough: after various false starts and digressions, he will finally meet and marry her mommy. But neither the girl nor the audience knows which of the women his younger self meets the mother will turn out to be. (And for a while we forget that, after their happy ending, Mom and Dad will end up divorced.)

The candidates are neatly — but not too neatly — sorted by hair color and temperament. Emily (Elizabeth Banks), the obliging, blond college sweetheart; Summer (Rachel Weisz), the intriguing, slightly dangerous dark-haired intellectual; and April (Isla Fisher), the impetuous redhead with whom Will trades insults at the New York campaign headquarters of Bill Clinton.

Ah, the ’90s. Among the many charms of “Definitely, Maybe” is the way it evokes the recent past without drowning in fussy period detail. Will, ambitious and idealistic, has come east from Madison, Wis. (leaving Emily behind), to plunge into the world of electoral politics; and while this movie is hardly an incisive political satire, it does capture some of the flavor of the times and, more generally, the headiness of youthful commitment to a cause.

Which is followed, perhaps inevitably, by disappointment. It is not hard to see that the Will of 1992 — smart, handsome, decent, happy in love, successful at work — is headed for a series of falls. Mr. Reynolds is dashing and sarcastic enough to fight off the lingering threat of blandness, and a subtle enough actor not to spoil his character’s unhappiness with self-pity. Will is, for all that, a bit of a cipher, or at least a sort of median Gen X-er, his edges smoothed away and his unruly appetites tamed.

Or maybe he’s just too modest and amiable to insist on being the most interesting person in his own story. Instead Mr. Reynolds is part of an attractive ensemble that includes Derek Luke, as Will’s best friend and sometime partner (they start a political consulting firm together after ’92), and Kevin Kline, as an aging gonzo journalist who is Will’s chief rival for Summer’s affection.

But it is the women in Will’s life — including Ms. Breslin — who make up the affectionate, unsentimental heart of the film. Ms. Fisher in particular enlivens every scene she’s in with a comic energy that’s antic and graceful.

“Darlin’ you can’t love three,” says an old folk song, and in movies of this kind the man who does is likely to be viewed as a cad. Either that, or the women he doesn’t end up with will be shown to have such egregious flaws that their rejection will come as a relief.

Emily, Summer and April are all decidedly imperfect, but Mr. Brooks succeeds in showing how their shortcomings are, especially at first, part of their allure. He also makes clear that Will, besotted with each in turn, does not know any of them as well as he thinks he does. He also is not quite sure what he wants. The treachery of love — and also its promise — is that people can surprise you.

And so can movies. I’ve been known to complain about the abysmal quality of contemporary American romantic comedies, which forsake intelligence, individuality and emotional risk for crude sex jokes or gauzy bridal-magazine fantasies. While “Definitely, Maybe” is hardly perfect, it navigates the choppy waters of modern courtship with commendable, understated honesty. Perhaps the best evidence of this is that this movie, unlike almost every other Hollywood tale of New York singles, was actually filmed in the city.

“Definitely, Maybe” is rated PG-13 (Parents strongly cautioned). It’s fairly candid about what grown-ups do, though it doesn’t show them doing it.

DEFINITELY, MAYBE

Opens on Thursday nationwide.

Written and directed by Adam Brooks; director of photography, Florian Ballhaus; edited by Peter Teschner; music by Clint Mansell; production designer, Stephanie Carroll; produced by Tim Bevan and Eric Fellner; released by Universal Pictures. Running time: 1 hour 52 minutes.

WITH: Ryan Reynolds (Will Hayes), Isla Fisher (April), Derek Luke (Russell T. McCormack), Abigail Breslin (Maya Hayes), Elizabeth Banks (Emily), Rachel Weisz (Summer Hartley) and Kevin Kline (Hampton Roth).

كارگردان: آدام بروکز
نویسنده: آدام بروکز
بازیگران: رایان رینولدز، ایسلا فیشر، ابیگیل برسلین، راشل وایز
رنگ: رنگی
ژانر: : عشقی :: کمدی :
درجه فیلم: PG-13
کشور: ایالات متحده
استودیو: یونیورسال پیکچرز
افتتاحیه: 14 فوریه 2008
فروش هفته: 5.18
فروش کل: 21.78
مدت زمان فیلم: 105
امتياز منتقدان از 100: 59
جملات تبليغاتي: سه رابطه. سه مصیبت. آخرین شانس.
خلاصه داستان: یک مشاور سیاسی تلاش می‌کند روابط پیشین‌ و طلاق قریب‌الوقوعش را برای دختر 11 ساله‌اش تعریف کند.

©cinemaema

Definitely, Maybe – In Theaters February 14th

Definitely, Maybe (2008)

Definitely Maybe – Wikipedia, the free encyclopedia

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Fool’s Gold |طلای احمقها | 2008

Filed under: پر فروشترین ها [Box Office Top] — iranbuy @ 7:34 ق.ظ.

Fool’s Gold (2008

Director: Andrew Tennant
Cast: Matthew McConaughey, Kate Hudson, Roger Sciberras
Rating: PG-13

Movie Details

Title: Fool’s Gold
Running Time: 112 Minutes
Status: Released
Country: United States
Genre: Romance, Romantic Comedy, Adventure
In “Fool’s Gold” Kate Hudson and Matthew McConaughey, as golden as a pair of rotisserie chickens, squabble and cavort in a tropical paradise. How nice for them, and for those in the audience who want nothing more from a midwinter trip to the movies than to gaze upon the tawny limbs and perfect bellybuttons of the stars.
Not that there isn’t a lot of other stuff going on in “Fool’s Gold,” a hectic action-romance-comedy directed by Andy Tennant from a script credited to him, John Claflin and Daniel Zelman. There is Alexis Dziena’s bellybutton, for instance, winking in solidarity (and perhaps in friendly competition) with Ms. Hudson’s. And if plot is what you want, there is plenty of incident, including underwater fights and high-speed shenanigans involving motor scooters, Jet Skis and prop planes.There is also quite a crowd of stock supporting characters. I suppose the filmmakers can claim some originality in assembling, within a single movie, a rich old guy in an ascot (Donald Sutherland), a crusty boat captain (Ray Winstone) and a murderous, greedy rap star (Kevin Hart), along with a loving, sharp-tongued gay couple and a pair of hapless criminal minions.

If only this hodgepodge offered more fun and less of the kind of frantic creative desperation that tries to pass itself off as giddy comic exuberance. Mr. McConaughey and Ms. Hudson, who were less than electrifying in “How to Lose a Guy in 10 Days,” appear to be suffering through a class in remedial chemistry, which they barely pass. Their characters, Finn and Tess, are on the verge of divorce.

Finn is a feckless treasure hunter whose irresponsible ways have finally driven Tess, even though she still loves him, to dump him and return to graduate school. First, however, she finds work on a yacht belonging to Nigel Honeycutt (Mr. Sutherland), whose jet-setting daughter, Gemma (Ms. Dziena), drops in for some text messaging and bikini modeling.

For a time “Fool’s Gold” holds out a vague promise of romantic farce, since it seems possible that either Gemma or her dad, or perhaps both, might become an obstacle to Tess and Finn’s inevitable reconciliation. Instead the film stages a melodrama of father-daughter estrangement between Nigel and Gemma and abruptly shelves the dumb bimbo jokes, though not the leering camerawork aimed at Ms. Dziena.

And so the prospect of fireworks between Finn and Tess is quickly dampened, and the movie turns into a dull, noisy pursuit of old Spanish coins, aided by maps and letters and enough pseudohistorical explanation to round out the next episode in the “National Treasure” franchise.

Will Finn and Tess find the treasure before the bad guys? Will they put aside their differences and rekindle their love? Yes to both questions! I haven’t spoiled anything, by the way. But perhaps I’ve saved you some trouble.

“Fool’s Gold” is rated PG-13 (Parents strongly cautioned). It has some violence and sexual situations.

FOOL’S GOLD

.

Directed by Andy Tennant; written by Mr. Tennant, John Claflin and Daniel Zelman, based on a story by Mr. Claflin and Mr. Zelman; director of photography, Don Burgess; edited by Troy Takaki and Tracey Wadmore-Smith; music by George Fenton; production designer, Charles Wood; produced by Donald De Line, Bernie Goldmann and Jon Klane; released by Warner Brothers Pictures. Running time: 1 hour 52 minutes.

WITH: Matthew McConaughey (Finn), Kate Hudson (Tess), Donald Sutherland (Nigel Honeycutt), Ewen Bremner (Alfonz), Alexis Dziena (Gemma Honeycutt), Kevin Hart (Bigg Bunny) and Ray Winstone (Moe Fitch

كارگردان: اندی تنانت
نویسنده: جان کلافلین، دنیل زلمان، اندی تنانت
بازیگران: متیو مک‌کوناهی، کیت هادسون، دونالد ساترلند، ری وینستون
رنگ: رنگی
ژانر: : عشقی :: کمدی :: حادثه ای :: اکشن :
درجه فیلم: PG-13
کشور: ایالات متحده
استودیو: وارنر برادرز پیکچرز
افتتاحیه: 8 فوریه 2008
فروش هفته: 6.27
فروش کل: 52.43
مدت زمان فیلم: 110
امتياز منتقدان از 100: 29
جملات تبليغاتي: این فوریه عشق واقعی یک دایو پیدا می‌کند.
خلاصه داستان: جایی که تقریبا یک ناکجاآباد است ماجراجویی‌ها و عشق غریب یک زوج را بیدار می‌کند.

©cinemaema

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The Spiderwick Chronicles |تاریخچه / ماجراهای اسپایدرویک| 2008

Filed under: پر فروشترین ها [Box Office Top] — iranbuy @ 7:24 ق.ظ.

The Spiderwick Chronicles (2008

Alternate Titles: Arthur Spiderwick, Arthur Spiderwick’s Guide to the Fantastic World Around You
Director: Mark Waters
Cast: Freddie Highmore, Mary-Louise Parker, Nick Nolte, Joan Plowright
Rating: PG (Violence/Children in Peril

Movie Details

Title: The Spiderwick Chronicles
Running Time: 97 Minutes
Status: Released
Country: United States
Genre: Adaptation, Fantasy, Children
Every devoted reader of children’s literature knows that magic is difficult — for the young wizards who practice it, of course, but even more so for their would-be creators, who must compete in an ever more crowded field. Bookstore shelves are full of spells and sorcery, and so, these days, are multiplexes, as filmmakers take advantage of special-effects technology to bring literary enchantments to life.
“The Spiderwick Chronicles,” adapted from books by Tony DiTerlizzi and Holly Black, represents the latest such effort. Instead of the kind of inspired imaginative synergy that distinguished the “Lord of the Rings” and later “Harry Potter” pictures, this movie, directed by Mark Waters (“Mean Girls”), feels more like a sloppy, secondhand pander. It conjures a world of fanciful creatures — some benign, others hostile — and introduces into it a group of squabbling human siblings (played by Sarah Bolger and Freddie Highmore) who have moved into a spooky old house in the middle of nowhere, along with their newly divorced mother, Helen (Mary-Louise Parker).A previous resident of the house was one Arthur Spiderwick (David Strathairn), a scholar of the invisible world of sprites and goblins and the author of an encyclopedic reference book on their ways. That book, locked away in a secret room, is coveted by Mulgarath, commander of a bloodthirsty monster crew, who wants to use Spiderwick’s lore to wipe out all the cute little elves and fairies, and the children as well.Why? Well, just because. Mulgarath takes many different forms, the most frightening of which is surely the person of Nick Nolte. But his malevolence is less scary than routine, as is the anxious twittering of Thimbletack, a honey-eating house spirit (voiced by Martin Short), and the jokey gregariousness of Hogsqueal, a porcine fellow with the voice of a suddenly overexposed Seth Rogen. Joan Plowright also shows up briefly as a wise and witchy old lady who clears up a few mysteries and leaves a few more in her wake.

“The Spiderwick Chronicles” is frantic with incident and hectic with computer-generated effects, including buckets of special Nickelodeon-style slime for the gooey green goblin blood. The human cast works very hard to juggle the expected responses of wonderment, panic and disbelief, and also to work through some domestic issues. Helen’s divorce causes particular tension between her and her son Jared (Mr. Highmore). His twin brother, Simon (also Mr. Highmore), is more conciliatory but also kind of wimpy, and their older sister, Mallory (Ms. Bolger), does a lot of yelling and stamping around before turning her wrath on the goblins.

The actors all struggle — Mr. Highmore nearly wears himself out trying to accomplish something like what Nicolas Cage did in “Adaptation” — but to no clear purpose. “The Spiderwick Chronicles” combines a lot of tried and true ingredients on the assumption that it’s following a foolproof recipe. Movie star voices plus family dysfunction plus pixie dust and C.G.I. plus some quirky Anglo-Saxon names should all add up magic. But you can’t just wave a wand and recite an incantation. It’s not as easy as it looks.

“The Spiderwick Chronicles” is rated PG (Parental guidance suggested). It has some fairly intense scenes of goblin mayhem.

THE SPIDERWICK CHRONICLES

Opens on Thursday nationwide.

Directed by Mark Waters; written by Karey Kirkpatrick, David Berenbaum and John Sayles, based on the books by Tony DiTerlizzi and Holly Black; director of photography, Caleb Deschanel; edited by Michael Kahn; music by James Horner; production designer, James Bissell; special visual effects by Industrial Light & Magic; produced by Mark Canton, Larry Franco, Ellen Goldsmith-Vein and Mr. Kirkpatrick; released by Paramount Pictures and Nickelodeon Movies. Running time: 1 hour 37 minutes.

WITH: Freddie Highmore (Simon/Jared), Sarah Bolger (Mallory), Mary-Louise Parker (Helen), Nick Nolte (Mulgarath), Joan Plowright (Aunt Lucinda), David Strathairn (Arthur Spiderwick).

WITH THE VOICES OF: Seth Rogen (Hogsqueal) and Martin Short (Thimbletack).

 تاریخچه اسپایدرویک

كارگردان: مارک واترز
نویسنده: کری کرک‌پاتریک، دیوید برنباوم، جان سایلز
بازیگران: فردی هایمور، مری لوییس پارکر، نیک نولتی، دیوید استراتیرن، سث روگن
رنگ: رنگی
ژانر: : فانتزی :: درام :: خانواگی :: حادثه ای :
درجه فیلم: PG
کشور: ایالات متحده
استودیو: پارامونت پیکچرز
افتتاحیه: 14 فوریه 2008
فروش هفته: 12.6
فروش کل: 43.58
مدت زمان فیلم: 97
امتياز منتقدان از 100: 63
جملات تبليغاتي: جهان آن‌ها از آن‌چه شما تصور می‌کنید نزدیک‌تر است.
خلاصه داستان: دو پسر دو قلو همراه با خواهر و مادرشان وارد ایالت اسپایدرویک می‌شوند و در آن‌جا یک دنیای موازی پیدا می‌کنند که پر از مخلوقات فانتزی و عجیب و غریب است.
حاشيه هاي فيلم: – هزینه تولید فیلم 90 میلیون دلار بوده است.

©cinemaema

The Spiderwick Chronicles | Now Playing In Theaters and In IMAX ..

The Spiderwick Chronicles (2008)

The Spiderwick Chronicles (film) – Wikipedia, the free encyclopedia

Copyright © New York Times | iran-buy.com | kingcomputer.ws

Jumper |جهنده| 2008

Filed under: پر فروشترین ها [Box Office Top] — iranbuy @ 7:20 ق.ظ.

Director: Doug Liman
Cast: Hayden Christensen, Samuel L. Jackson, Jamie Bell

Movie Details

Title: Jumper
Running Time: 88 Minutes
Status: Released
Country: United States
Genre: Teen, Adaptation, Adventure

It’s impossible for outsiders to know who deserves most of the blame for this dud — its director, Doug Liman, its three screenwriters, its multiple producers or the various studio executives who might have done far too much meddling or not nearly enough. Whatever the case, “Jumper” — a barely coherent genre mishmash about a guy who transports himself across the globe at will — is of interest only because it revisits a theme that Mr. Liman has explored in films like “The Bourne Identity” and, if reports about his troubled productions are true, speaks to his own reputation as an escape artist: the character who wiggles out of trouble.

The trouble here starts when a likable high-school loser, David Rice (Max Thieriot), discovers that he can do an end run around the space-time continuum, teleporting from here to there faster than Dorothy can click her sparkling red shoes. Before long he’s zipping from Detroit to Tokyo (and into bank vaults) and has transformed into a materialist slacker (now played by a somnolent Hayden Christensen) whose rooms are filled with goodies and walls are papered with images of his fave jump spots. One minute he’s cruising a blond sylph in London; the next, he’s hanging with the Sphinx in Egypt. It’s all good, except that it’s all bad, from the subliterate dialogue to the chaotic direction and heavily edited points in between.

Then, you know, something happens. In this case, the something is mostly Samuel L. Jackson, who, as a mysterioso avenger, arrives barking his lines and wearing the latest addition to what has become a notorious collection of extreme hairpieces and looks. Snow white and close cropped, Mr. Jackson’s hair in this film dominates its every scene (it’s louder than the predictably voluble actor), rising out of the visual and narrative clutter like a beacon. It glows. It shouts. It entertains. (It earns its keep.) It also suggests that someone here has a sense of humor, as does the casting of the persuasively thuggish Michael Rooker (“Henry: Portrait of a Serial Killer”) and the woefully misused Diane Lane as David’s estranged parents.

Luckily for Ms. Lane, her character doesn’t get much screen time, largely because she appears to be on hand only to help humanize David, to counterbalance the brutal father with the sentimentalized mother. She’s as disposable as the pretty bland thing (Rachel Bilson) who tags along with David for a while and has been written into the screenplay for all the reasons female characters are usually written into male coming-of-age stories, namely she looks good in her underwear and establishes the hero’s heterosexuality. Ms. Bilson fills out her bra nicely, but is nowhere as seductive as Jamie Bell, who, as a British jumper called Griffin, gives the film a jolt of energy along with a heartbeat. When he jumps, so does the film.

“Jumper” is rated PG-13 (Parents strongly cautioned.) Lots of fights but little blood.

JUMPER

Opens on Thursday nationwide.

Directed by Doug Liman; written by David S. Goyer, Jim Uhls and Simon Kinberg, based on the novel by Steven Gould; director of photography, Barry Peterson; edited by Don Zimmerman, Dean Zimmerman and Saar Klein; music by John Powell; production designer, Oliver Scholl; visual effects supervisor, Joel Hynek; produced by Mr. Kinberg, Arnon Milchan, Lucas Foster and Jay Sanders; released by 20th Century Fox. Running time: 1 hour 30 minutes.

WITH: Hayden Christensen (David Rice), Jamie Bell (Griffin), Rachel Bilson (Millie Harris), Samuel L. Jackson (Roland), Diane Lane (Mary Rice), Michael Rooker (William Rice), AnnaSophia Robb (Young Millie) and Max Thieriot (Young David).

كارگردان: داگ لیمان
نویسنده: دیوید گویر، سیمون کینبرگ
بازیگران: هایدن کریستنسن، ساموئل ال جکسون، راشل بیلسون
رنگ: رنگی
ژانر: : علمی-تخیلی :: درام :: حادثه ای :: اکشن :
درجه فیلم: PG-13
کشور: ایالات متحده
استودیو: فاکس قرن بیستم
افتتاحیه: 14 فوریه 2008
فروش هفته: 12.65
فروش کل: 56.21
مدت زمان فیلم: 88
امتياز منتقدان از 100: 35
جملات تبليغاتي: هر جایی ممکن است.
خلاصه داستان: یک نابهنجاری ژنتیکی باعث شده که یک مرد جوان بتواند به هر جایی نقل مکان کند. او متوجه می‌شود که این قابلیت قرن‌هاست که وجود دارد و خودش را در داخل جنگی می‌یابد که هزاران سال میان جهنده‌ها و کسانی که برای قتل‌شان شمشیر کشیده‌اند وجود داشته است.
حاشيه هاي فيلم: – هزینه تولید فیلم 85 میلیون دلار بوده است.©cinemaema

Jumper

Jumper (2008)

Jumper (film) – Wikipedia, the free encyclopedia

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